After decades in which machine-made goods seemed destined to render every craft obsolete, the twenty-first century has witnessed an unexpected (0) REVIVAL (REVIVE) of handmade work. In cities from Kyoto to Copenhagen, 1ARTISAN bakeries, workshops and ateliers are flourishing, and buyers appear willing to pay a premium for the perceived 2AUTHENTIC of objects made by human hands. Long-neglected training routes such as the traditional 3APPRENTICE are being reinvented, often with state support, and heritage bodies have launched ambitious programmes aimed at the 4PRESERVE of disappearing techniques. The backlash against 5GLOBAL has almost certainly helped, as has growing unease about the environmental cost of fast fashion, which has 6VALUE disposable goods in many shoppers' eyes. Young makers, meanwhile, are proudly rediscovering the slow virtues of 7CRAFT, while ethically minded 8CONSUME increasingly want to know who made what they buy, and how.