ACritic A
I first saw Venice in June 1984. It was a seer. I had arrived in Rome with an insane man (a misanthropic friend with all the composure of a bag of cats), his new wife, and an image of myself sitting in a white suit in the Piazza San Marco listening to violins while pigeons flew. Lord knows where this image came from. I had never read Thomas Mann’s Death in Venice nor seen Katharine Hepburn in Summertime. I picked up the suit in Rome, ditched my friends and drove to Florence and on to Venice. At a mediocre trattoria on my first evening, I met a photographer, a young woman from Mexico travelling through Italy. After snapping a picture of me in the suit, standing among the pigeons in the Piazza San Marco while violins whined the Beatles, she skipped town. Following a quick tour of the Doge’s Palace, I also fled the hordes for an Orient-Express train through the quiet Tyrol.